Catherine Skojec
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See What Reviewers Had To Say About Past Performances!

Catherine as Emengarde in Hello Dolly

"As Horace's wayward niece Ermengarde, Catherine Skojec is silly, romantic, funny and a mean dancer." -J. Peter Bergman Berkshire Bright Focus
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Catherine as Laurey in Oklahoma
 "Taylor Eliason and Catherine Skojec lead the way as Curly and Laurey. Skojec's winsome voice and sassy vulnerability play well on stage....They have a great chemistry, which weaves tension into every tease and kiss. “People Will Say We’re in Love” is truly a sigh-able moment." -Battle Creek Enquirer
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Catherine as Gretchen in Boeing Boeing

"Skojek as the German flight attendant is particularly entertaining as she draws on wonderful physical comedy to convey her German passion for Bernard and…well…almost everything , as she seems to be trying to prove that the Germans are the 
real world lovers, not the French or Italians."
-David Kiley Encore Michigan

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Particularly fun for me to watch was Catherine Skojec. She embodied the passionate and dramatic German stewardess, Gretchen. Her physical comfort as a dancer showed in her embodiment of this character, which made the scenes between her and the other characters so much fun to watch. I anticipate we will be hearing more about this talented young lady’s theatrical achievements." Laurie Rowe Battle Creek Enquirer 
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Catherine as Sarah in Guys and Dolls 


"Catherine Skojec"s operatic vocal range shines brilliantly in her portrayal of straight-arrow Sarah, whose defenses come crumbling down in a Havana nightclub, aided by her new friend, Bacardi. Her "If I Were A Bell" is sweetly funny." 
Encore Michigan


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Catherine as Hodel in Fiddler on the Roof 

"The three eldest daughters, Golden, Skojec, and Halpin, are blessed with striking voices, notable in their solos, but in pitch perfect harmony for their Act I trio, Matchmaker. "
Encore Michigan





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Catherine in On Broadway: 1956 at Tibbits Opera House:

"The performers....imperticular Robbins and Skojec, were skilled in executing [the] choreography, and the dancing was very much on par with the tight, unamplified vocals."  
Encore Michigan